3 out of 5 (60%) reviewers would recommend
Sonakshi Sinha,Sunhil Sippy
Noor is an upcoming Indian drama film directed by Sunhil Sippy that features Sonakshi Sinha in the lead titular role. The film is based on Pakistani author Saba Imtiaz's novel Karachi, You're Killing Me! and follows a Pakistani journalist-writer Noor's misadventures and love life as she navigates her way through Mumbai.
Apr 21, 2017
Noor wants to get into issue-based journalism but hasn't found a solution to her own issues yet. Between a flawed love life, a flailing career and daily struggles with weight, she finds her meaty story.
Who knew Sonakshi Sinha was capable of this all along? Watching her play this part is the most starkly disorienting thing about Noor. The movie gives her a chance to be an actual flesh-and-bone person. She's relatable as a girl who swears by her rum (and suffers hangovers), eats cake in bed (and dreads getting on a weighing scale) and becomes the third wheel on a friend's date (while cursing her own single life). We've all been there. Noor(Sinha) wants to shine a light on serious issues but is stuck being the torchbearer of mediocre puff pieces. Her childhood friend Saad(Gill) gives her pep-talks from the friendzone and her mentor (Chaudhary) reigns her in when she's too enthusiastic about a new expose. Even as she's coming to terms with the hotness of her new boyfriend, Ayan (Kohli),her maid Malti (Tambe) brings a major organ-trade racket to her notice. Director Sunhil Sippy has achieved the rare feat of not stereotyping people in the media by showing them as jhola-toting opinionated creatures. There's an instant connect with Noor's world; her friends are as silly as yours, her issues are at times frivolous but her quarter-life crisis seems credible. The film is slightly over-written (a whole lot of dialogue) but lines are mostly funny. Since the movie gets this generation right, it has to get its flaws right too. Noor introduces a conflict which is serious and relevant, but offers very little by way of resolution. It unintentionally gives a nod to armchair-activism, and as representative of our time as it is, it simply cannot cover-up the lazy writing towards the end. A slightly stronger effort on the protagonist's part could have propelled the movie into greatness. But where Noor falls short, Sinha rises to the occasion. Gill brings a lightheartedness to the movie and Smita Tambe delivers equally well in half the screen-time. This is the great debut that has come seven years into Sonakshi's career. And for that, you must go meet Noor at theatre.
The film is based on Pakistani author Saba Imtiaz's novel 'Karachi, You're Killing Me!'